Publisher : PulseSetter Sounds
Format : Kontakt (5.8.1+)
Quality : Stereo 44.1 kHz 24 bit
Size : 4.2 GB
A hybrid library combining cello sounds with synthetic processing,
Cello Ibrida combines various sampling and sound design techniques in an advanced interface. Rather than focusing on a single, traditional library concept, we combined several approaches to create modern sounds that retain an organic feel. A group of cellos was recorded to create textural articulations and multisamples. We then processed these recordings to produce pulsating basses, hybrid plucks, pads, and effects.
The matrix interface features a two-layer system, each layer with its own effects chain, oscillator, sequencer, and gate. But the real magic happens on the Matrix page, where two macro controllers, two sequencer envelopes, and velocity-controlled modulators can be individually assigned to master effects, a chord generator, and a detuner. This allows even the simplest sounds to constantly change and evolve. We’ve also added the ability to assign MIDI CCs to crossfade, macro controls, and oscillator parameters (speed/depth) so composers can modulate these parameters in real time, creating a truly vibrant sound design tool.
We’re passionate about sound design, and recording a cello group was just the beginning. The process also involved a cheap blue cello, which we actively distorted during recording. We also used Gabriel DiMarco’s magnificent cello, Moog Sub37 and Arturia MatrixBrute synthesizers, and then ran cello multisamples through Eurorack and tape machines. We call all of these “sound sources”—there are about 260 of them. From them, we’ve created over 500 snapshots, but even that’s not the limit! You can combine them and create your own.
We decided to start with a recording of a cello group playing shifting orchestral textures as the basis for the sound design process. The idea was to build on this and create pads, but we didn’t stop there and continued experimenting. We also recorded several basic multisamples and processed each note individually to create distortion, overdrive, or simply ran them through granular processors to create short and long notes. Since everything was done with circular repeats and multisampling (with pitch shifting), it was a labor-intensive process, but it was worth it. With individual notes, textures, and pads in place, the next step was creating bass loops.
Much of the library is based on the bass and lower midrange, where the cello finds its most distinctive sound. The clean sound of the cello’s bass strings imparts a very deep, almost physical feel, perfect for cinematic sound design. We also recorded a full-sized student cello, which was not only unattractive but also very aggressive-sounding. Not the right tone for orchestral passages, but an excellent choice for horror sounds. Screeches, drumstick strikes, detuned strings, and loosened tuning pegs create a recognizable sound reminiscent of many horror soundtracks. These sounds were also further processed and turned into loops that work perfectly as a rhythmic foundation.
Once finished, it became clear that the library needed a brighter, more modern sound, so we sampled synthesizers such as the Moog Sub37, Arturia MatrixBrute, and Virus TI. This expands the possibilities, allowing composers in dual-layer mode to select any of 260 patches as a sound source to create their own unique snapshots (real cello, hybrid cello, SFX cello, or synthesizer). We’ve created over 500 presets, but we highly recommend creating your own.
Another convenient feature of our advanced matrix engine is the ability to assign MIDI CCs to the crossfade, macro controllers, and oscillator. Paired with the Motion Leap controller, Cello Ibrida will provide hours of enjoyment performing sounds with simple hand movements in the air. Motion Leap can also be used with any library or synthesizer that supports MIDI CCs.
PulseSetter Sounds aims to create an alternative orchestral library for composers working on video games, modern TV shows, and film. Recording real orchestral instruments and using unique sound design techniques is not only exciting but, we’re sure, incredibly useful for inspiration, filling gaps, or adding a modern twist to your orchestral music without attracting too much attention. We hope you enjoy this product.
